Photography critic Sean O’Hagan hits back at Jonathan Jones’s damning claim that photographs cannot be considered fine art

Imagine, if you will, the following scene. I pop into the National Gallery to view the 2014 BP National Portrait Award and look in bemusement at the exhibition, which is mostly comprised of rather old-fashioned paintings. It’s an uninspiring show, a hotchpotch, as are most exhibitions drawn from open submissions. Inexplicably enraged by this, I rush home and pen an article claiming that painting is dead and that it looks anachronistic, indeed stupid, on a gallery wall in the 21st century. Not only that, but I then extrapolate that all painting is dull and stupid – Caravaggio, Rubens, Picasso, Hockney, Richter, the lot.