Over the course of a year in partnership with a professional research firm, Cards Against Humanity is running a different sort of opinion poll with more unusual questions. The early results are at Pulse of the Nation.

They asked people if they’re rather be “dumb and happy” or “smart and sad”. The “dumb and happy” respondents were more likely to say human-caused climate change is not real:

The majority of black people surveyed believe a second civil war is likely within the next decade:

65% of Democrats surveyed would rather have Darth Vader as President than Donald Trump:

And one’s approval of Donald Trump correlates to a belief that rap is not music:

Many of the responses were irrational — Darth Vader would be much worse than Trump and Democrats believe that the top 1% of richest Americans own 75% of the wealth (it’s actually 39%)…and people with more formal education guessed worse on that question. The divide on rap music is racial and generational but also points to a lack of curiosity from many Americans about what is perhaps the defining art form of the past 30 years. But the worst is what Americans thought of each other…Democrats think Republicans are racist and Republicans don’t think Democrats love America. The polarization of the American public continues.

360 view of Barcelonetta Beach in Barcelona.

Photo taken on i-Phone from the garden. Clouds worked as a protective screen.

Noteworthy collages from Alexey Kondakov. For more of his work, check out his Instagram or Facebook.

Noteworthy GIRLS, GIRLS, GIRLS exhibit by Sergey Borisov at RuArts Gallery.

When Ricardo Bofill stumbled upon a dilapidated cement factory in 1973 he saw the opportunity. La fábrica was born. 45 years later it transformed into a spectacular and unique home.

 Photos above were taken on Rolleiflex 2.8F with Carl Zeiss Planar 80mm lens on Fuji 400H Pro film in February of 2017.

Probably the best the web has to offer: watch random You Tube videos with almost no views.

These videoscome from YouTube. They were uploaded in the last week and have titles like DSC 1234 and IMG 4321. They have almost zero previous views. They are unnamed, unedited, and unseen by anyone but YOU.

Awesome!

View from the hotel Do Mar, Sesimbra.

View from the Hotel Do Mar, Sesimbra.

Old fishing boats in Sesimbra.

Old fishing boats in Sesimbra.

A pile of old tires.

Hotel Do Mar, Sesimbra.

As one can see most photos have marks from what appears to be dirty rollers at the processing machine at the lab that I used. Needless to say, I am now going to pay twice the amount to develop all film in 'dip and dunk' process method as the carnage which is bound to happen by low cost and quality lab is not worth the saved money. Photos taken on Rolleiflex 2.8F with Carl Zeiss lens on Kodak Porta 400 film.

Photos of bikes in Amsterdam. Photo taken on Rolleiflex 2.8 F on Kodak Porta 400.

Amsterdam, Oude Spiegelstraat. Photo taken on Rolleiflex 2.8F on Kodak Porta 400 film.

4th color layer which is proprietary to Fujicolor PRO 400H, captures a true to nature eerie light of Amsterdam. Notably the file size of digital scan of the negative is about 2.5 times larger than from Kodak Porta under the same settings. Photo is taken on Rolleiflex 2.8F with Carl Zeiss lens.

Streets of Bairro Alto, Lisbon. Taken on Rolleiflex 2.8f with Carl Zeiss lens. Kodak Ektar film.

There is something unique about the light in Lisbon on a sunny day.

Photos of old cloisters at Lisbon Cathedral taken on Rolleiflex 2.8F with Carl Zeiss Planar lens.

Inside gothic arches extend to the faulted ceilings and medieval statues and decorative alters fill the alcoves. To the rear of the Sé are the ancient cloisters, which were constructed directly on top of a ruined mosque and symbolically confirmed the 13th century Catholic conquest of Portugal from the North African Moors. The Se Cathedral is a wonderful ancient complex that is steeped in history and no holiday to Lisbon is complete without visiting this magnificent monument.

The film is about photographer Elsa Dorfman, who is known for her use of the large-format Polaroid 20" x 24" camera. According to the description on the New York film festival site:

Errol Morris's surprising new film is simplicity itself: a visit to the Cambridge, Massachusetts studio of his friend, the 20x24 Polaroid portrait photographer Elsa Dorfman, who specifies on her website that she likes her subjects "to wear clothes (and to bring toys, skis, books, tennis racquets, musical instruments, and particularly pets...)." As this charming, articulate, and calmly uncompromising woman takes us through her fifty-plus years of remarkable but fragile images of paying customers, commissioned subjects, family, and close friends (including the poet Allen Ginsberg), the sense of time passing grows more and more acute. This is a masterful film.