Venus de Milo with reconstructed arms, holding distaff and spindle, spinning thread in the ancient technique. For more info see this Slate story, "What Was the Venus de Milo Doing With Her Arms?" slate.me/1EIFLfm
Hitchhiker with a beer bottle...
Old Lady at a Drop Box
Suspicious looking humster also appeared in Stasi Archive.
Photographer Jimmy Nelson travelled the world documenting some of the world's last remaining indigenous cultures. The result is Before They Pass Away.
The prints are chromogenic prints mounted on aluminium and framed in nut wood behind museum art glass or diasec, depending on size.
Rauwhiri Winitana Paki
Taupo Village, North Islands
New Zealand, 2011
Rauwhiri Winitana Paki
Taupo Village, North Islands
New Zealand, 2011
Milo Moire.
Photo: Twitter.
Milo Moiré brought her naked performance art to the people in Basel Wednesday.
In a public square a few minutes from the Art Basel fair during the second day of VIP previews, posing in just sneakers with smiling locals, Moiré performed her latest piece, Naked Selfie. The performance artist was previously known for a piece in which she dropped paint-filled eggs from her vagina.
Awesome. See more here
A new website gives New Yorkers a chance to see what their apartment building, neighborhood bar or favorite coffee shop looked like more than a century ago.
Berlin in 1945 after the war. 7 minutes, in color.
If you cancel the download in Firefox, it is likely that the downoad will still continue in the background. The observed bug was in Firefox 30 (Mac 10.8.5). To manually remove the download session, folloe the instructions below.
Mac OS X 10.7 and above: By default, Mac OS X Lion hides the ~/Library folder (which contains the profile folder, Crash Reports and other user data for Mozilla applications). You can open your user Library folder by holding down the Option key while opening the Go menu in Finder, then selecting Library. Once it's open, you can drag the small icon of a folder in the header of the Library's window into the Favorites section of the Sidebar, where it will be conveniently accessible whenever you want.
In this case the problem was caused by sessionstore.js in the Profile_Folder.
Removal of sessionstore.js fixed the issue for this session.
That is how Perestroika was captured by the photographer Gavrilov in mid-80s-early 90s in the former Soviet Union.
I would agree with the article Why “Company Culture” Is a Misleading Term published in Harvard Business Review, that "Corporate Culture" is a defence mechanism to preserve a status quo:
Corporations and other organizations do not have cultures; they have philosophies and ideologies that form a process in which there is a constant discourse about the nature and expression of values, beliefs, practices, ideas, and goals. This discourse happens in sales meetings, interactions with customers, board meetings, and in conversations around the water cooler. It’s a constantly moving target.
The problem with the term “culture” is that it tends to essentialize groups: it simplistically represents a particular group of people as a unified whole that share simple common values, ideas, practices, and beliefs. But the fact is, such groups really don’t exist. Within any group characterized as having a culture, there are numerous contested opinions, beliefs, and behaviors. People may align themselves to behave in a way that seems as though they buy into expressed corporate values and “culture,” but this is just as likely to be a product of self-preservation as it is of actually believing in those values or identifying with some sloganized organizational culture.
Ever wonder where our computers go to die? Check out the photo gallery on Wired:
The offline computer is housed in a glass room and in theory can only be accessed by two people at the same time. It is also constantly monitored by a video camera.
It is alleged Mr Tipton used his position as security director to change the video camera settings and record only one second in every minute. This would have given him enough time to enter the room and plug a thumb drive into the computer.
On that drive, according to the prosecution, was a rootkit: a stealthy computer program designed to do a specific task and, in this case, then erase itself.
That task was to predetermine the winning lottery numbers for the draw that Mr Tipton was to later buy the winning ticket for.
Mike McLaughlin, senior analyst at computer security company First Base, said the allegation might sound farfetched but was plausible.
He told the BBC: "It is entirely possible to code a rootkit on a USB drive which could interfere with software on a computer then delete itself.
Photo: El Celler De Can Roca
Elite Traveller has a list of top 100 Restaurants in the World. Below are top 5:
Alinea
(312) 867-0110
El Celler de Can Roca
Azurmendi
Eleven Madison Park
The Fat Duck
The only way to escape tracking at this point is not to use Internet. It doesn't come as a surprise that Facebook tracks all visitors to a third party websites.
If you do not want to appear on CCTV camera, do not get out of the house.
The researchers now claim that Facebook tracks computers of users without their consent, whether they are logged in to Facebook or not, and even if they are not registered users of the site or explicitly opt out in Europe. Facebook tracks users in order to target advertising.
The issue revolves around Facebook’s use of its social plugins such as the “Like” button, which has been placed on more than 13m sites including health and government sites.
Facebook places tracking cookies on users’ computers if they visit any page on the facebook.com domain, including fan pages or other pages that do not require a Facebook account to visit.
When a user visits a third-party site that carries one of Facebook’s social plug-ins, it detects and sends the tracking cookies back to Facebook - even if the user does not interact with the Like button, Facebook Login or other extension of the social media site.
EU privacy law states that prior consent must be given before issuing a cookie or performing tracking, unless it is necessary for either the networking required to connect to the service (“criterion A”) or to deliver a service specifically requested by the user (“criterion B”).
The murderer was Gary Gilmore, who had grown up in Portland, Oregan – the city that is home to both Nike and Wieden+Kennedy. In 1976 Gilmore robbed and murdered two men in Utah and was executed by firing squad the following year (by some accounts Gilmore actually said "Let's do this" just before he was shot).
Read One More Drink at esquire.
Drinking a fourth drink dictates that a certain kind of evening is about to unfold: namely, one in which you will be drunk. Because nobody stops at four drinks. Four is to inebriation what the St. Louis arch is to the West: It's the gateway drink, the point of no return. A fourth empty glass or bottle or mason jar set on the bar or table or broken in the hobo fire in front of you is your announcement to the rest of the world that, at some point in the next twelve to twenty-four hours, you will be left trying very hard to remember or even harder to forget.
But a brave new world has opened up for you, a great blinding universe of magic and possibility. You're a man who might start confusing nouns with verbs. You're a man who might fall off of his barstool. You're a man who might sleep on the floor in his clothes.
Code | Entity | Hex | Character | Description |
---|---|---|---|---|
� |
%00 |
Unused | ||
 |
%01 |
Unused | ||
 |
%02 |
Unused | ||
 |
%03 |
Unused | ||
 |
%04 |
Unused | ||
 |
%05 |
Unused | ||
 |
%06 |
Unused | ||
 |
%07 |
Unused | ||
 |
%08 |
Unused | ||
	 |
%09 |
Horizontal tab | ||
|
%0A |
Line feed | ||
 |
%0B |
Unused | ||
 |
%0C |
Unused | ||
|
%0D |
Carriage return | ||
 |
%0E |
Unused | ||
 |
%0F |
Unused | ||
 |
%10 |
Unused | ||
 |
%11 |
Unused | ||
 |
%12 |
Unused | ||
 |
%13 |
Unused | ||
 |
%14 |
Unused | ||
 |
%15 |
Unused | ||
 |
%16 |
Unused | ||
 |
%17 |
Unused | ||
 |
%18 |
Unused | ||
 |
%19 |
Unused | ||
 |
%1A |
Unused | ||
 |
%1B |
Unused | ||
 |
%1C |
Unused | ||
 |
%1D |
Unused | ||
 |
%1E |
Unused | ||
 |
%1F |
Unused | ||
  |
%20 |
Space | ||
! |
%21 |
! | Exclamation mark | |
" |
" |
%22 |
" | Quotation mark |
# |
%23 |
# | Number sign | |
$ |
%24 |
$ | Dollar sign | |
% |
%25 |
% | Percent sign | |
& |
& |
%26 |
& | Ampersand |
' |
%27 |
' | Apostrophe | |
( |
%28 |
( | Left parenthesis | |
) |
%29 |
) | Right parenthesis | |
* |
%2A |
* | Asterisk | |
+ |
%2B |
+ | Plus sign | |
, |
%2C |
, | Comma | |
- |
%2D |
- | Hyphen | |
. |
%2E |
. | Period (fullstop) | |
/ |
%2F |
/ | Solidus (slash) | |
0 |
%30 |
0 | 0 | |
1 |
%31 |
1 | 1 | |
2 |
%32 |
2 | 2 | |
3 |
%33 |
3 | 3 | |
4 |
%34 |
4 | 4 | |
5 |
%35 |
5 | 5 | |
6 |
%36 |
6 | 6 | |
7 |
%37 |
7 | 7 | |
8 |
%38 |
8 | 8 | |
9 |
%39 |
9 | 9 | |
: |
%3A |
: | Colon | |
; |
%3B |
; | Semi-colon | |
< |
< |
%3C |
< | Less than |
= |
%3D |
= | Equals sign | |
> |
> |
%3E |
> | Greater than |
? |
%3F |
? | Question mark | |
@ |
%40 |
@ | Commercial at | |
A |
%41 |
A | A | |
B |
%42 |
B | B | |
C |
%43 |
C | C | |
D |
%44 |
D | D | |
E |
%45 |
E | E | |
F |
%46 |
F | F | |
G |
%47 |
G | G | |
H |
%48 |
H | H | |
I |
%49 |
I | I | |
J |
%4A |
J | J | |
K |
%4B |
K | K | |
L |
%4C |
L | L | |
M |
%4D |
M | M | |
N |
%4E |
N | N | |
O |
%4F |
O | O | |
P |
%50 |
P | P | |
Q |
%51 |
Q | Q | |
R |
%52 |
R | R | |
S |
%53 |
S | S | |
T |
%54 |
T | T | |
U |
%55 |
U | U | |
V |
%56 |
V | V | |
W |
%57 |
W | W | |
X |
%58 |
X | X | |
Y |
%59 |
Y | Y | |
Z |
%5A |
Z | Z | |
[ |
%5B |
[ | Left square bracket | |
\ |
%5C |
Reverse solidus (backslash) | ||
] |
%5D |
] | Right square bracket | |
^ |
%5E |
^ | Caret | |
_ |
%5F |
_ | Horizontal bar (underscore) | |
` |
%60 |
` | Acute accent | |
a |
%61 |
a | a | |
b |
%62 |
b | b | |
c |
%63 |
c | c | |
d |
%64 |
d | d | |
e |
%65 |
e | e | |
f |
%66 |
f | f | |
g |
%67 |
g | g | |
h |
%68 |
h | h | |
i |
%69 |
i | i | |
j |
%6A |
j | j | |
k |
%6B |
k | k | |
l |
%6C |
l | l | |
m |
%6D |
m | m | |
n |
%6E |
n | n | |
o |
%6F |
o | o | |
p |
%70 |
p | p | |
q |
%71 |
q | q | |
r |
%72 |
r | r | |
s |
%73 |
s | s | |
t |
%74 |
t | t | |
u |
%75 |
u | u | |
v |
%76 |
v | v | |
w |
%77 |
w | w | |
x |
%78 |
x | x | |
y |
%79 |
y | y | |
z |
%7A |
z | z | |
{ |
%7B |
{ | Left curly brace | |
| |
%7C |
| | Vertical bar | |
} |
%7D |
} | Right curly brace | |
~ |
%7E |
~ | Tilde | |
 |
%7F |
Unused | ||
€ |
%80 |
Unused | ||
 |
%81 |
Unused | ||
‚ |
%82 |
Unused | ||
ƒ |
%83 |
Unused | ||
„ |
%84 |
Unused | ||
… |
%85 |
Unused | ||
† |
%86 |
Unused | ||
‡ |
%87 |
Unused | ||
ˆ |
%88 |
Unused | ||
‰ |
%89 |
Unused | ||
Š |
%8A |
Unused | ||
‹ |
%8B |
Unused | ||
Œ |
%8C |
Unused | ||
 |
%8D |
Unused | ||
Ž |
%8E |
Unused | ||
 |
%8F |
Unused | ||
 |
%90 |
Unused | ||
‘ |
%91 |
Unused | ||
’ |
%92 |
Unused | ||
“ |
%93 |
Unused | ||
” |
%94 |
Unused | ||
• |
%95 |
Unused | ||
– |
%96 |
Unused | ||
— |
%97 |
Unused | ||
˜ |
%98 |
Unused | ||
™ |
%99 |
Unused | ||
š |
%9A |
Unused | ||
› |
%9B |
Unused | ||
œ |
%9C |
Unused | ||
 |
%9D |
Unused | ||
ž |
%9E |
Unused | ||
Ÿ |
%9F |
Unused | ||
  |
[3.2] |
%A0 |
Non-breaking space | |
¡ |
¡ [3.2] |
%A1 |
¡ | Inverted exclamation |
¢ |
¢ [3.2] |
%A2 |
¢ | Cent sign |
£ |
£ [3.2] |
%A3 |
£ | Pound sterling |
¤ |
¤ [3.2] |
%A4 |
¤ | General currency sign |
¥ |
¥ [3.2] |
%A5 |
¥ | Yen sign |
¦ |
¦ [3.2] |
%A6 |
¦ | Broken vertical bar |
§ |
§ [3.2] |
%A7 |
§ | Section sign |
¨ |
¨ [3.2] |
%A8 |
¨ | Umlaut (dieresis) |
© |
© [3.2] |
%A9 |
© | Copyright |
ª |
ª [3.2] |
%AA |
ª | Feminine ordinal |
« |
« [3.2] |
%AB |
« | Left angle quote, guillemotleft |
¬ |
¬ [3.2] |
%AC |
¬ | Not sign |
­ |
­ [3.2] |
%AD |
| Soft hyphen |
® |
® [3.2] |
%AE |
® | Registered trademark |
¯ |
¯ [3.2] |
%AF |
¯ | Macron accent |
° |
° [3.2] |
%B0 |
° | Degree sign |
± |
± [3.2] |
%B1 |
± | Plus or minus |
² |
² [3.2] |
%B2 |
² | Superscript two |
³ |
³ [3.2] |
%B3 |
³ | Superscript three |
´ |
´ [3.2] |
%B4 |
´ | Acute accent |
µ |
µ [3.2] |
%B5 |
µ | Micro sign |
¶ |
¶ [3.2] |
%B6 |
¶ | Paragraph sign |
· |
· [3.2] |
%B7 |
· | Middle dot |
¸ |
¸ [3.2] |
%B8 |
¸ | Cedilla |
¹ |
¹ [3.2] |
%B9 |
¹ | Superscript one |
º |
º [3.2] |
%BA |
º | Masculine ordinal |
» |
» [3.2] |
%BB |
» | Right angle quote, guillemotright |
¼ |
¼ [3.2] |
%BC |
¼ | Fraction one-fourth |
½ |
½ [3.2] |
%BD |
½ | Fraction one-half |
¾ |
¾ [3.2] |
%BE |
¾ | Fraction three-fourths |
¿ |
¿ [3.2] |
%BF |
¿ | Inverted question mark |
À |
À |
%C0 |
À | Capital A, grave accent |
Á |
Á |
%C1 |
Á | Capital A, acute accent |
 |
 |
%C2 |
 | Capital A, circumflex accent |
à |
à |
%C3 |
à | Capital A, tilde |
Ä |
Ä |
%C4 |
Ä | Capital A, dieresis or umlaut mark |
Å |
Å |
%C5 |
Å | Capital A, ring |
Æ |
Æ |
%C6 |
Æ | Capital AE dipthong (ligature) |
Ç |
Ç |
%C7 |
Ç | Capital C, cedilla |
È |
È |
%C8 |
È | Capital E, grave accent |
É |
É |
%C9 |
É | Capital E, acute accent |
Ê |
Ê |
%CA |
Ê | Capital E, circumflex accent |
Ë |
Ë |
%CB |
Ë | Capital E, dieresis or umlaut mark |
Ì |
Ì |
%CC |
Ì | Capital I, grave accent |
Í |
Í |
%CD |
Í | Capital I, acute accent |
Î |
Î |
%CE |
Î | Capital I, circumflex accent |
Ï |
Ï |
%CF |
Ï | Capital I, dieresis or umlaut mark |
Ð |
Ð |
%D0 |
Ð | Capital Eth, Icelandic |
Ñ |
Ñ |
%D1 |
Ñ | Capital N, tilde |
Ò |
Ò |
%D2 |
Ò | Capital O, grave accent |
Ó |
Ó |
%D3 |
Ó | Capital O, acute accent |
Ô |
Ô |
%D4 |
Ô | Capital O, circumflex accent |
Õ |
Õ |
%D5 |
Õ | Capital O, tilde |
Ö |
Ö |
%D6 |
Ö | Capital O, dieresis or umlaut mark |
× |
× [3.2] |
%D7 |
× | Multiply sign |
Ø |
Ø |
%D8 |
Ø | Capital O, slash |
Ù |
Ù |
%D9 |
Ù | Capital U, grave accent |
Ú |
Ú |
%DA |
Ú | Capital U, acute accent |
Û |
Û |
%DB |
Û | Capital U, circumflex accent |
Ü |
Ü |
%DC |
Ü | Capital U, dieresis or umlaut mark |
Ý |
Ý |
%DD |
Ý | Capital Y, acute accent |
Þ |
Þ |
%DE |
Þ | Capital THORN, Icelandic |
ß |
ß |
%DF |
ß | Small sharp s, German (sz ligature) |
à |
à |
%E0 |
à | Small a, grave accent |
á |
á |
%E1 |
á | Small a, acute accent |
â |
â |
%E2 |
â | Small a, circumflex accent |
ã |
ã |
%E3 |
ã | Small a, tilde |
ä |
ä |
%E4 |
ä | Small a, dieresis or umlaut mark |
å |
å |
%E5 |
å | Small a, ring |
æ |
æ |
%E6 |
æ | Small ae dipthong (ligature) |
ç |
ç |
%E7 |
ç | Small c, cedilla |
è |
è |
%E8 |
è | Small e, grave accent |
é |
é |
%E9 |
é | Small e, acute accent |
ê |
ê |
%EA |
ê | Small e, circumflex accent |
ë |
ë |
%EB |
ë | Small e, dieresis or umlaut mark |
ì |
ì |
%EC |
ì | Small i, grave accent |
í |
í |
%ED |
í | Small i, acute accent |
î |
î |
%EE |
î | Small i, circumflex accent |
ï |
ï |
%EF |
ï | Small i, dieresis or umlaut mark |
ð |
ð |
%F0 |
ð | Small eth, Icelandic |
ñ |
ñ |
%F1 |
ñ | Small n, tilde |
ò |
ò |
%F2 |
ò | Small o, grave accent |
ó |
ó |
%F3 |
ó | Small o, acute accent |
ô |
ô |
%F4 |
ô | Small o, circumflex accent |
õ |
õ |
%F5 |
õ | Small o, tilde |
ö |
ö |
%F6 |
ö | Small o, dieresis or umlaut mark |
÷ |
÷ [3.2] |
%F7 |
÷ | Division sign |
ø |
ø |
%F8 |
ø | Small o, slash |
ù |
ù |
%F9 |
ù | Small u, grave accent |
ú |
ú |
%FA |
ú | Small u, acute accent |
û |
û |
%FB |
û | Small u, circumflex accent |
ü |
ü |
%FC |
ü | Small u, dieresis or umlaut mark |
ý |
ý |
%FD |
ý | Small y, acute accent |
þ |
þ |
%FE |
þ | Small thorn, Icelandic |
ÿ |
ÿ |
%FF |
ÿ | Small y, dieresis or umlaut mark |
In Alaska, people search for the cost of a gallon of milk. In New Jersey, people search for the cost of a funeral. In other states, vasectomies, facelifts, and prostitues are popular searches. Here are some of the autocomplete predictions of search queries for goods and services elsewhere.
Left: Reliquary arm of St. Valentine 14th century Swiss Right: 2 Chainz
Left: Detail of "The Martyrdom of Saint Lawrence," oil on wood, by Masters of the Acts of Mercy (Austrian, Salzburg, c. 1465) Right: ASAP Ferg
This Tumblr compares art from before the 16th century and contemporary images of hip hop. These are some of my favorites.