UserpicCome Together, a short film by Wes Anderson
Posted by Moxietype

Enjoy the Holidays!

UserpicChina Collects Data on Some U.S. Phones
Posted by Moxietype

China installed the secret back door on some Android phones in the U.S. to monitor users' activity, who they call and the content of their text messages.

UserpicLisbon Light
Posted by Sasha

light in lisbon

Streets of Bairro Alto, Lisbon. Taken on Rolleiflex 2.8f with Carl Zeiss lens. Kodak Ektar film.

There is something unique about the light in Lisbon on a sunny day.

UserpicLisbon Cathedral
Posted by Sasha

lisbon cathedral

statue in lisbon cathedral

Photos of old cloisters at Lisbon Cathedral taken on Rolleiflex 2.8F with Carl Zeiss Planar lens.

Inside gothic arches extend to the faulted ceilings and medieval statues and decorative alters fill the alcoves. To the rear of the Sé are the ancient cloisters, which were constructed directly on top of a ruined mosque and symbolically confirmed the 13th century Catholic conquest of Portugal from the North African Moors. The Se Cathedral is a wonderful ancient complex that is steeped in history and no holiday to Lisbon is complete without visiting this magnificent monument.

UserpicHigher Unemployment Saves Lives
Posted by Moxietype

About 5,000 fewer people die every year in auto accidents for each 1 percentage point increase in U.S. unemployment because downturns keep dangerous drivers off the road.

Read full article on Bloomberg

Movies, Photography
UserpicThe B-Side
Posted by Moxietype
photography of Dorfman

The film is about photographer Elsa Dorfman, who is known for her use of the large-format Polaroid 20" x 24" camera. According to the description on the New York film festival site:

Errol Morris's surprising new film is simplicity itself: a visit to the Cambridge, Massachusetts studio of his friend, the 20x24 Polaroid portrait photographer Elsa Dorfman, who specifies on her website that she likes her subjects "to wear clothes (and to bring toys, skis, books, tennis racquets, musical instruments, and particularly pets...)." As this charming, articulate, and calmly uncompromising woman takes us through her fifty-plus years of remarkable but fragile images of paying customers, commissioned subjects, family, and close friends (including the poet Allen Ginsberg), the sense of time passing grows more and more acute. This is a masterful film.


UserpicJulie Taymor's Eye-Popping Take on Classic
Posted by Moxietype

“The director who redefined spectacle on Broadway… has now given New York a Midsummer Night’s Dream that doesn’t so much reach for the heavens as roll around in them, with joyous but calculated abandon… For Ms. Taymor, the sky is not the limit. It’s a supple canvas to be stretched and bent to the whims of the imagination. Her eye-popping take on the canon’s most enchanted comedy… confirms Ms. Taymor’s reputation as the cosmic P. T. Barnum of contemporary stagecraft… This Dream exists… as a glittering necklace of breathtaking moments... [and] when the moments are this beautiful, they take root in your mind and assume lives of their own. Don’t be surprised when they start showing up in your own dreams. The ingeniously mixed music of Elliot Goldenthal ranges from anxious jazz riffs to sustained, ethereal lullabies.” 


Visit the Julie Taymor's Dream website to learn more

Userpic10 k running route
Posted by Moxietype

UserpicThe Concept of Beauty is Overrated
Posted by Moxietype
historic fireplace

Having come into possession of a similarly dilapidated property with much less grandeur I found this article inspiring. I now want to watch all of his films.